WordPress Wednesday Aug 18: The Fail Continues

Think about this as you read these stats, blogging is not only the new way of publishing it is increasingly the way to access the old way of publishing as well, it is also second only to twitter as a go to source for media pundits looking for “the pulse of the nation” or the “important story”, and it is one of two media sites that form the basis for much electronic research. When we are not included in the places that legitimate and draw attention to the voices on the internet we are in essence once again being erased and shoved out. Since blogging is a medium that so many diverse people have made their home, and wordpress among the top places to do it, doesn’t it warrant at least a question about why they choose such a narrow focus in representing both their brand and all of us?

brittanica.com

Here are this week’s stats:

Images

  • men of color: 18
  • women of color: 6
  • TOTAL PICS OF PEOPLE OF COLOR: 24
  • white men: 40
  • white women: 32
  • TOTAL PICS OF WHITE PEOPLE: 72

The number of white people pictured on chosen posts outnumbered people of color by almost 3xs as much this week. All of these images were of able-bodied cis gender people. Images of white women were 5xs more likely than images of women of color and even more were likely to be seen on the Freshly Pressed page pointing you there because images of women of color appeared in posts with images of white people and the latter were almost always chosen for the Freshly Pressed page image. White men outnumbered men of color two to one and would also have been overrepresented on the Freshly Pressed page for the reasons listed above.

Authors

  • men of color: 3
  • women of color: 2
  • TOTAL AUTHORS OF COLOR: 5
  • white men: 12
  • white women: 30
  • TOTAL WHITE AUTHORS: 42

The number of people of color featured remained constant from last week representing an average of 1.7% of the total available bloggers for highlighting. The number of people of color blogging on wordpress is unavailable but they certainly make up more than 2% of the 280,000 bloggers from which to choose. There were also three authors of unknown race, only one of whom was a woman and one author who identified as asexual gender neutral, who was white.

Gender & Sexuality

  • pictures of cis women: 37
  • pictures of cis men: 55
  • pictures of trans women: 1
  • pictures of trans men: 3
  • female authors: 33
  • male authors: 17
  • gender unknown: 1
  • gender neutral: 1
  • articles about feminism: 3
  • articles about queer rights: 1
  • articles about, related to, or otherwise assuming overt heterosexuality: 17

Interestingly, this week marked the first time since the study began where a photo of a white women used in the post was replaced by a photo of a white man not used in the post to highlight the post on the Freshly Pressed page. In other words, the blogger used an image of a woman and the wordpress staff replaced it on their page with a picture of a man.

On the plus side, this week marks the first time a post about transgender, gender queer, and transmisogyny has been highlighted during the study and in all the time I can remember glancing at the Freshly Pressed page. On the negative side, that post included 4 photos of transgender or gender queer people engaged in a photographic awareness campaign, none of whom where people of color. In looking at the source material I discovered that of the 20 photos in the exhibit the author had to choose from, there was only one person of color photographed. The failing then is both with the author of the blog post who failed to mention racially disparity or choose the only pic available of a person of color to include with the group of other images chosen and the project itself. I also noted that while this post was highlighted, there were several posts, including on this blog, about a similar project specifically highlighting the dual erasure of black trans people from mainstream society and trans communities, as well as highlighting their diversity across the African Diaspora, none of which were ever featured on Freshly Pressed.

There were an unusually high number of feminist posts this week as well given their general absence on the Freshly Pressed page. One of these posts highlighted global feminism but was actually a blog for an organization that features innovative speakers and puts the videos up on its website. The post was literally the name of an international speaker and the theme of her talk accompanied by the video. There was no analysis, no prose, nothing. Given the number of posts written by marginalized people on wordpress about global feminism this seemed like an odd choice to represent the best wordpress has to offer. Another post on feminism praised a movie that was essentially a colonial fantasy in which a white woman finds herself through a vacation in India, Brazil, and other exotic erotic places, complete with hooting at brown men, spending money to “save” poor kids, etc. The point of the post: anyone who disliked this movie was a sexist hater. The final feminist post critiqued the same film and originally questioned the classism and racism involved but was followed up by a non-featured post apologizing and claiming it was really a critique of narcissism.

While we are documenting the number of posts that reference heterosexuality outright, please do not take this to mean other posts are sexuality neutral. With few exception all of the posts highlighted on wordpress are written by or read as heterosexual posts due to their lack of queer content.

As white women continue to gain in the featured section, I wonder if this is why we cannot get any traction on this issue. Like the woman who sees critiquing colonialism as a sexist endeavor, is the fact that white women often dominate the freshly pressed section preventing them from engaging in a feminism or social justice mindset that includes the rest of us? And if so, why is this an all too familiar position for a group that would largely define themselves as socially engaged and inclusive? It should be noted that many of the people making decisions about features on wordpress are also white women who considered themselves social justice folks.

WordPress Criteria

  • grammatical errors: 11
  • copyright: 41

This category counts the items wordpress says will preclude you from being featured. Interestingly, this week wordpress published another post referencing the importance of copyright on images used on blogs at the same time that the number of copyright infringement based on freshly pressed images was at its highest.

This week also saw the largest number of blogs featured that had been featured before and/or were not actually blogs (company “blog” pages that simply pointed people back to the company and magazines that are hosted on wordpress.org) instead of looking at diverse authors who had not been highlighted prior. The number of professional journalists and photographers is also much higher in general on the freshly pressed page than people who blog as bloggers. Given the gender, race, sexuality, etc. disparities in print media, you can see how this would translate to similar disparities on the freshly pressed page.

Scott Pilgrim Vs My Sanity (spoilers)

According to Hit Fix one of the reasons Scott Pilgrim did poorly in the box office this weekend was because people were having trouble determining the plot. I never read the graphic novels upon which the film was based, so I think it is pretty fair to say I only had the trailers to go on myself. It seemed fairly obvious to me that Scott Pilgrim was based on a particular genre of graphic novel addressing disaffected youth, counter-culture, and the pursuit of women and/or girls. I’m not sure how you could watch the trailer and not know that.

Just in case:

the plot of Scott Pilgrim vs the World

Scott Pilgrim is a 22 year old slacker bassist in an unsigned band who thinks he has met the love of his life, hipster Ramona Flowers. In order to date her drama free, he must fight her 7 evil exes all of whom have magical or video game like powers. The bulk of the film takes place at video game speed, with power ups, point values, and information bubbles. Visually it is a cross between the arcade games of 70s childhoods and modern day play station lives. The whole thing is also set to music capitalizing on the popularity of guitar hero and indie rock cred to reaffirm its geek + hipster sensibility.

The Good

Scott Pilgrim vs The World/Universal Studios/2010

The script is full of snappy one liners that in lesser hands would come off as pathetic caricature. Fortunately, from the smallest roles to the largest ones, almost every actor in Pilgrim has the necessary comedic timing and snark to pull it off. Both Alison Pill and Kieran Culkin serve up the best performances in the film, helping keep the pace of Pilgrim moving and entertaining when it could just have easily insulted and fallen flat. Johnny Simmons is brilliant as Young Neal managing to delight in every scene he is in despite having few lines. The only people who don’t seem to elevate this film to similar teen-period-piece classics are  Bree Larson, whose comedic timing on US of Tara is always a joy to watch but here seems like she’s been directed to overact to avoid dealing with real female emotions, and Satya Bhabha whose role suffers from offensive stereotype too much for him to do much with it. But we’ll get to that … wait for it …

The music is both entertaining and sometimes really good in this film. Despite failing at the acting end of her role, Bree Larson on stage is a real treat and the song is one of the best in the film. All of the actors take their dual roles as grunge heroes seriously. When they are on stage their parodies play like the real thing. The least effective of these moments is the Asian dragon sequence, but we will get to that … wait for it …

The romantic moments in this film are both visually and emotionally compelling. Scott takes Ramona’s hand in the snow the shot captures the individual snow flakes and the open heart shape of their arms to the soft background music that would make any girl’s heart go pitter-pat. When they walk together in the x in the snow, the shot not only calls up the plot of the film (evil exes) but also speaks to the crossroad both of them have or will meet in the film. These scenes have all the magic of any romance and yet are couched in enough hipster quipping to keep it from making its core audience wonder what they got suckered into. For instance, in the scene where they sit on the swings in Toronto winter, Flowers in nothing but wool tights, mini, light jacket, and fingerless gloves, they both remark how ridiculous it is that they are outside trying to be romantic in freezing cold temperatures; then, they go inside. Take that Hollywood!

b. o’malley/bigshinyrobot.com

Ramona also makes a nice alternative to the leading women that dominate mainstream romantic comedies. While her disaffected attitude toward both the world and Scott has critics stumped, this seemed no more or less disengaged to me than any other hipster film. Ramona could just as easily be Juno or Nora from Nick and Nora, both of which critics loved. More interesting to me was the fact that she has a healthy body. While she is far a cry from a “plus size” model, she has ample hips and undefined arms; in other words, she’s normal. When Ramona takes her clothes off, the camera does not shy away from angles that will make her hips larger or her chest flatter, and no CGI turns her into Laura Croft eye candy either. As much derision as I have for hipster culture, one thing I have always appreciated is that there is room for women of all shapes and sizes in their films, you know as long as they are young, mostly white, and able-bodied … but will get to that … wait for it …

Finally, unlike any number of mainstream and alternative films, this is one of the first studio movies aimed at summer audience with prominent queer characters. Scott lives with his gay best friend Wallace, played by Kieran Culkin. Wallace is hilarious as the non-stereotypical wise-cracking best friend who just wants to live his slacker life and get laid like everyone else. Unlike the chirping snarkfest gay bestfriends of stereotype land, Wallace is compassionate when needed, horny in believable and non-pathologized ways, always has Scott’s back even when that means calling him out sans a single “girlfriend”, and rather than snark he peddles in a fair amount of cynicism that offers the only real moral compass of the film. While his ever increasing sex partners are a consistent joke in the film, this too is depicted in a way that runs against the grain of the hypersexed gay man or the tragically grateful coming out story that dominate queer young adult films these days. And truthfully, I like that he gets laid without much fanfare, struggle, or questioning but instead is just another guy living his life.

Scott Pilgrim vs The World/Universal Studios/2010

Ramona is also not completely straight. Throughout the film, Scott displays typical heterosexism as he works out how exactly he ended up having to fight Ramona’s 7 exes. Every time he says, “7 ex-boyfriends”, Ramona corrects him with “7 exes”. It starts out as a subtle reminder about how heterosexism works and how people with gay bestfriend’s can still be guilty of it. This subtlety-turned-unnecessary-repetition is followed up with Scott finally cluing in with a scene that reaffirms the way the film naturalizes all sexualities; when Ramona says she was going through “a phase”, Scott replies “what a sexy phase?”. While in some ways that rejoinder reaffirms a heterosexist gaze at lesbian sexuality, ie for the entertainment of straight men, it also refuses to judge or pathologize Ramona’s chocies. And while it is not the most questioning -affirming comment in the world, I loved it when Romana’s ex responds to their love affair being called “a phase” by calling her a “has-bien”, we used to call it L.U.G. (lesbian until graduation) in my day. And I don’t think this film used the term to demean bisexuals, which I assume is how it is used in the real world. Instead, the comment markedly calls out women who deny or disavow parts of their sexuality with little regard for the women they ab/use in the process. To me saying a real relationship was “a phase” with all the implied judgment in your tone in front of your ex is a far cry from being confused about what you like or being bisexual and deciding to commit to a man. Ramona is guilty of the former.

Truthfully, as a person who teaches film, if the movie had not failed so horribly in other places I would be comparing it to Fast Times or Singles, for its ability to capture a particular cultural moment in youth culture that people can identify with now and look back on fondly later when, like those other moments, youth culture has moved on,

The Bad

This movie is choppy. It very seldom lets a scene play out all the way through and has even less transition scenes. While this fits with the overall goal of the film to be like a video game, it leads to some scene splicing that pulls you out of the film and makes you wonder about technique rather than story line; visionary work can use new techniques while telling a story.

The same thing happens with excessive use of pop ups. While most of them are in keeping with the film’s overall feel, sometimes they seem like an unecessary device reminiscent of the decline of Pop Up Video on VH1 than innovation. In at least one scene there are so many of pop ups you don’t have time to read them all. Alternatively, the film uses black marks to cover up cursing to hilarious effect.

Ultimately, the problems seems more about too much and timing than technique. While Director Edgar Wright had an amazing grasp on cinematography and story, his love of his concept gets in the way. Some times I think he does not trust himself with the meatier parts of the story (of which there are few) so he dumps in some graphics instead. This is particularly true when he is dealing with the love story that supposedly drives the film and is unfortunate because he clearly has the chops to make the story line sing.

Scott Pilgrim vs The World/Universal Studios/2010

Most of the characters in this film are two-dimensional. Some characters are introduced and then never seen again. Others are given significant enough attention or back story that we want to know about them but they are simply plot devices that appear and disappear in the night. This is particularly problematic with regards to Scott’s ex-girlfriend who is supposed to motivate all his douchebaggery. Of course, the film isn’t invested in female characters … But we’ll get to that … Wait for it.

For the vegan viewers, this film will also enrage. One of Ramona’s evil exes is a vegan who as a result of not eating animal products has magical powers and the condescension to match. For me, his ridiculous banter and ultimate dethroning were deeply satisfying as a critique against self-righteous vegans who act as though they are better than everyone else. Example: PETA’s beached whale campaign that incited an endless barrage of fatphobia and hatred toward large people as non-vegan or self-appointed voices of the vegan movement on the internet who transform multiple conversations about racism, classism, and other oppressions preventing veganism from reaching certain people or changing world systems that impact animals into myopic rants about how everyone who disagrees with them “eats meat” and “hates vegans”. This kind of pseudo-sainthood that targets others and refuses to address one’s own oppressive behaviors makes vegans an easy target and the film is spot on in its depiction of the sanctimonious set within a much larger social justice movement.

At the same time, there is no room in this film for vegans who actually are neither elitest nor judgmental. There is no real vegan in this film. The evil ex, it seems eats chicken occasionally. Even if he did not, there is no other vegan in the film who is sane, committed to social justice, and just trying to live their life in the best way possible. For those vegans this image is a huge slap in the face. It smarts even harder no doubt because in the graphic novel the character is actually a drummer with a bionic arm not a vegan at all … but wait for it …

The Ugly

The article I linked to at the top of this post, has a whole list of reasons Scott Pilgrim did not do well at the box office. None of these include that the film is offensive and thus fails to entertain at a deeper level. However, I would argue that it is the depiction of women and APIs that is at the heart of its failure.

Scott Pilgrim vs The World/Universal Studios/2010

Scott Pilgrim begins with a backstory about Scott being on the rebound with a high school girl. He is 22 and she is 17. To get around both legality and the potential morality issues involved in this hook up, the film spends a considerable amount of time pointing out that they do not kiss nor have sex. I know I am Catholic, and so is Knives Chau, the girlfriend, but seriously … Worse than these age differences is the way Scott treats her. Not only does he forget about her regularly, he misses dates, picking her up, and even jumps out of a window to avoid her. (The window scene is hilarious out of context but fails to read the level of the panty scene in the Breakfast Club precisely because the film never takes its female characters seriously and its characters of color even less so.) Worse, he also cheats on her without even thinking about it; the majority of the film depicts his heartless cheating as the great love story for us to invest in with little regard to Knives either. It is one thing if your hero is a douchebag, it’s another if your storyline elevates it to romance.

While Knives is doting on his every word, Scott is trying to get Ramona to pay attention to him. He orders a useless gadget to get her to deliver it after he finds out that is her job. He slides up to her at a party and tries to be witty using the same pick up line he used on Knives a few scenes before. He even goes to bed with her, though they end up not having sex because Ramona changes her mind at the last minute, while still dating Knives. In fact, he is so insensitive that he invites Ramona to the same concert Knives has promised to come see without breaking up with her. When they start to confront him, he simply runs away and does his best to keep them from talking. Only Wallace tells him he is cruel and needs to man up and even then, his answer is to try to avoid it and then simply tell her as she is going on about how wonderful they are, that it is over.

In a scene that should make every girl’s skin crawl, Scott rides home on the train looking pathetic because he had to break up with his girlfriend and that made him feel bad. Poor Scott. And then, his pathetic shell-shocked expression twists into a giddy grin as Ramona’s face pops into his head. His 5 seconds of guilt don’t even amount to remorse since they are really about how much it sucked for him to have to look at Knives teary eyes than about how how he treated her, demeaned her, and took her for granted. Did I mention he makes her pay for their dates?

In typical male fantasy fashion, we are supposed to excuse Scott’s treatment of Knives for three reasons: (1) Ramona is his true love, so of course he pursued her. Except, Scott was a self-absorbed user before Ramona came into the picture. (2) Knives is better than Scott, Wallace tells us so and so does Knives herself so that makes all his neglect and douchebaggery ok. And (3) After stalking him throughout the rest of the film, Knives herself gives him permission to go after Ramona even though he was perfectly willing to take her back as a consolation prize at the end of the movie. You know because Ramona said she was leaving and Knives still has an allowance to buy video games and pizza with on their dates. (Supposedly he learns a lesson in this movie, there is even dialogue saying “I think I am learning something” except the fact he is willing to reunite with Knives when he does not love her undermines the entire thing.)

What is most offensive about the Knives storyline to me is that it does not need to be there. Knives serves no purpose in this movie except as a vehicle for Scott and his friend’s racism and/or sexism… wait for it … and his overwhelming self-absorption. Including Knives seems like a huge mistake for a film that tries so desperately to convince us that Scott is a good guy. In case your smart enough to know better, the movie has Ramona says it over and over again. In this way, I agree with many of the mainstream reviewers who said one of the big failings of this movie is that the main character is not particularly likable or interesting.

Scott Pilgrim vs The World/Universal Studios/2010

The premise of the movie is also basically sexist when you get right down to it. In order for Scott to be with Ramona he has to fight for her with a bunch of beefed out men, and one puckish girl, who barely care that Ramona is there. In fact, it turns out that none of them are fighting for Ramona but instead to get her back for the only guy in this movie who is more narcissistic and sexist than Scott himself. Haven’t we gotten past the woman as property or prize days yet?

Worse, it turns out Ramona’s motivation is that she is only using Scott to get her ex to pay attention to her. Seems like Scott and his rival have a lot in common whe it comes to how they treat women and Ramona’s quite the catch with her lust for self-absorbed people who barely care about her.

Despite supposedly being empowered, Ramona does nothing to defend herself or put a stop to the conflict, except when Scott refuses to “hit a girl”. He can use them and ignore them but hitting is where Scott draws the line; I wish the director felt the same.

Hitting girls is pretty common place in this film. Mr. Vegan punches Knives with such force that he “knocks out her highlights”. While the refrain about her highlights being gone is meant to make us laugh, there is nothing amusing about seeing the former Superman punch a 4 foot something teenage girl in the jaw. And there is even less amusing about the fact that neither Scott nor her new boyfriend do anything about it until he insinuates his sexual domination over the two white women in the room. The white women don’t care either by the way, one even seems turned on by it. Worst of all, this fight takes place between two women in the graphic novel, meaning the director decided it would be “funnier” to have a huge, muscle bound, male actor punch a thin teenage girl than follow the existing story line; it’s a “joke” he resorts to too often and it also speaks to the fact that while he does not mind changing the pre-existing story to heighten iniquity, he has no qualms with leaving it alone when the inequity is already there.

B. O’Malley

Which gets us back to the other major issue in this film: race. The way Scott treats Knives is bad enough on its own. But as he discusses her with his friends and family, he makes sure to mention that she is Asian. Many of their reactions point to the exotic erotic. Just in case we are too dumb to pick up on the unspoken orientalism, Scott spells it out for his sister when he points out that she is both Asian and has a Catholic School uniform …

Throughout the film her race is used to casually express racism. Besides the multiple conversations referenced above, when Scott wants to break up with her he asks if she is “even allowed to date outside her race” as if his eroticization of her is acceptable but her parents’ potential fears about that eroticization are discrimination. At the end of the film, she shows up dressed like a hipster version of a ninja. And when she gives Scott permission to go after Ramona, he says “Chow Knives” you know, cause her name is Knives Chau …

The other Asians in this film fair little better. Ramona’s first ex is Indian and is forced to do an obligatory Bollywood dance with ghost-vamps in the middle of their fight scene. It’s the kind of thing that made me question what exactly does go on behind the doors of 20-something hipsters’ homes when they’ve locked all the people of color out. When Ramona explains their relationship, she says “he was the only non-white jock in the town.” So she did not date him because she liked him; she dated him because he fit into her rebellion against hypermasculinized whiteness that left her no room for female autonomy. In this way, she has something in common with Scott in that she dated a person of color to give her friends and neighbors something to talk about but otherwise could care less about them as people or lovers. She also has something in common with Julie Roberts’ new movie, in as much as her supposed act of feminist enlightenment was bought on the back of brown men. Yippee!

Ramona also dated Asian twins. Their sole contribution to this film is a synthesizer that shoots out Chinese dragons. If that weren’t bad enough, let me just point out that the twins last name is not Chinese, it’s Japanese.

Conclusions

Scott Pilgrim vs The World/Universal Studios/2010

I walked into Scott Pilgrim with the last shred of hope I had left for the summer movie season. I was expecting a sort of graphic novel angst that both entertained and sent up the original in unique ways. While the graphics and the overall gifted cinematic eye were certainly present in much of this film, its tongue-in-cheek hipster angst fell flat in the face of so much unnecessary racism and sexism. The film’s race politics seem to be  a fairly faithful adaptation of the graphic novel which means both the racism and some of the sexism originated there and the directors and writers made the decision not to omit it in the re-telling for film. What concerns me most about Scott Pilgrim then is that it is not new in its peddling of either oppression; instead, it seems like a sometimes funny, sometimes poignant, sometimes visually compelling version of the same old 20-something shlock. While hipsters pat themselves on the back for being completely disaffected with all the evil in our world, able to cut through the bullshit, and take on any number of liberal causes it seems like in their fantasies, and for many in their real lives, the oppressions that do not impact them directly do not matter to them any more than the fascists and neocons they define themselves against.

I understand why young men would be attracted to this film. Michael Cera as average Joe is always compelling and his fight scenes, done mostly himself, and endless supply of women makes him the perfect nerd hero whether playing Scott Pilgrim or the myriad of other versions of this character elsewhere. However, it is hard to know why white women, and a handful of women of color, buy into this culture that does not take them anymore seriously than the sexist society they rally against. While mainstream culture is both blatant and unapologetic about its exploitation and objectification of young women, hipsters do pay lip-service to their empowerment and does so in this film as well. But if all feminism means these days is you get to be as big a douche as the pompous boy ignoring you and you get to have everyone around you acknowledge that you are smarter and cooler even while they do nothing to change their interpersonal worlds to make room for you as anything other than the ignored girlfriend, hated interloper, or object of racialized sexual fantasy, than give me a new movement. And please spare me the transparent cinematic reinforcement that elevates average Joe at Jane’s expense.

Overall Scott Pilgrim gets a C for Crap.

Quickies: The Catch Up Addition

(updated) So a lot happened in the world of fluff while I was away and, if my stats are to be trusted, some of you are really desperate to hear what I think about certain media moments. Here is the long and the short of it in the following order:

  1. Dr. Who Season Finale
  2. Wonder Woman Revamp
  3. Lindsay Lohan’s Arrest
  4. Despicable Me Review
  5. The Real L Word a Retraction

Moffat/unattributed

  • Dr. Who Season Finale (Spoilers)- I admit that after much initial scepticisim, I decided I really liked the latest incarnation of the Doctor. As I said in my post “Dr. Who Super Quickie“, the writing, acting, and directing had finally seemed to gel, everyone was bringing their A game, and the storyline was finally distinctive and engaging. Unfortunately, Moffat could not just sail his own ship into Dr. Who history like the amazing writer, director, and fan he is capable of being. Instead, like a rejected child whose lost one too many fights with daddy, Moffat consistently veered the show back over Davies territory in order to rewrite, rehash, and re-envision what has come before instead of simply taking the show in the direction he would like to define it’s latest incarnation. As a consequence, many of the episodes and especially the first part of the finale played out more like “suck it dad” than creative expansion. I’ve never been one for Freudian dramas between men, but when the final episode pt 1 aired as a mirror of the first, full of pointless pontificating and the resurrection of doctors past dissolving into the underwhelming Matt Smith I’d had enough. When part II opened with all of the Dr. Who enemies past destroyed, I wanted to call about the BBC and demand an apology to loyal fans or at least get myself put on an important panel in Britain to give a scathing review up close. The ridiculousness of Moffat having to constantly remind fans that his Doctor is The Doctor and his Whoniverse was better than all the rest because ha, ha, he destroyed all the other ones, throughout the show ranged from the subtle changes that we could all get used to, to the drastic ones. He even stomped on Torchwood lore by making Rory somehow able to be human despite not having an ounce of human DNA left as a cyberman while Lisa, who was half human, could not pull it off. But the worst, was when his entire first season at the helm ended with “DO OVER.” Seriously? What kind of lazy writing does one have to engage in it that they offer up very little new material throughout an entire season and yet still can’t think themselves out of the one new piece of information they provided without just calling time, literally, and starting again? What is the point of a time traveling show if the solution to go forward and then backward in time to rectify one’s mistakes is not expressly prohibited? Where is the tension in the show, if at any time they don’t like the direction they can just yell “do over” and set the universe’s time clock back to the part they liked? And as for those of you wondering if Smith is coming back as the Doctor, he is. I’ve seen the early images from the second season filming and he is there in an even uglier tweed coat; but then this should have been obvious from both the ending of this season and the fact the man has a 5 year contract. The sharp distinction between Matt Smith as Doctor when the scripts really were new ideas devoid of Moffat’s posturing and Smith as puppet in Davies banishment is only slightly less striking than the caliber of the story lines, direction, and acting of the supporting cast in these same episodes. To see how great this show could be if Moffat would stop playing what one of my colleagues calls “penis, penis, whose got the penis” long enough to realize no one else is measuring makes me sad, at best, for how terribly mundane it will continue to be until Moffat let’s it go.  (I had a discussion about this on twitter with some filmmakers, fans, and DMs with a few former employees of Who, and everyone was in agreement that the show has potential but Moffat’s obsessions get in the way. We also agreed the finale was underwhelming for anyone who has been a long term fan of the show; people who are only 5 or so years in to their fandom may feel differently because they don’t recognize all of the elements that we do.) Here’s hoping that during the hiatus Moffat puts his issues to bed, realizes that he is the undisputed heir to an amazing fortune, and gives us the brilliance Dr. Who and Moffat’s own legacy deserve.

Terry Dodgen

  • Wonder Woman’s revamp. First, go read Gay Prof’s analysis because there really isn’t anything else to say about what is lost here. En breve: her proto-feminist legacy has been completely erased, no more matriarchy origins, no more island of powerful women aka Amazons, no more female defined moral code or ethics, and yes no more swimsuit. As I said, I could be analytical about it all, especially given the huge loss of feminism, proto-feminism, and even pseudo- or out-dated feminism that defined various incarnations of Wonder Woman, including her origin story, but Gay Prof has already done that so well. So Instead, I am going to tell you a story. A long time ago, in an isla far away, I used to run around in my front yard in my Wonder Woman underoos imagining I was a powerful Amazon who stopped bullets with my big, shiny, bracelets. Years later, I was a wee lass jumping over koi ponds and lassoing cacti with an actual golden lasso I found one day on a walk with my big sister, with the boy next door. He was Steve Austin and I was Diana and we were saving the world across the super hero-bionic divide. I credit these moments and all the ones in between them for my development as a femme. I was never insulted by the bathing suit, or the short skirt, I was empowered by it, because I understood that Wonder Woman was a powerhouse that even male superheroes and military generals respected and she did it in thigh high boots and those signature bangles I mentioned already. The only women who made me want to femme out more were probably the queens and female rulers on Star Trek who combined their minis w/ the most delicious fabrics and green, purple, and glittery eyeshadows. Like Diana, they could not be bested even by the likes of Captain Kirk. For me, the revamping of Wonder Woman into some watered down, feminist-history-absent, manga-esque (and I like manga), video game ready, no doubt wise-cracking ie makes fun of men to prove her superiority instead of just being superior b/c she is umm a superhero, teen girl with a bad hair cut and even worse fashion sense makes me want to go all Fembot on someone. So for all the feminists saying “at least she has pants”, your analysis of why she didn’t before was spot on with regards to gender inequity in the superhero universe, however, her pants come at the price of her actual feminism and feminist history. More than that it comes at the price young girls who are still bombarded with hypersexualized images of youth that never contained feminist messages while being robbed of the few cultural icons that did. Better to be a girl in the front yard in your swimsuit taking down bad guys than an equally young girl in the backyard wearing XW-inspired hoochie gear # 5 while practicing how to go down on them instead. Oh and one more thing, have you seen the drawings of Wonder Woman? Most, tho certainly not all, of the fan art shows her with powerful legs and biceps, looking strong enough to take on the world. Many of the women and men who emulate her at conventions, costume parties, and events do so with a sincere reverence, even when its campy, toward her strength, intelligence, and femme-fatale. And even music videos that do homage to her have all referenced her brains and her braun as well as her beauty. This stands in stark comparison to the re-imagining of other female heroes and side kicks found in graphic novels who have always been fully clothed; take good look at the fan art and you will see a pattern in which their drawings make Barbie look appropriately proportioned, I’m just sayin’ …

you thought I was going to miss the opportunity to do two Wonder Woman pics; silly

rjonesdesign/2010

  • Lilo’s arrest – am I the only one who thinks a critical piece of the puzzle is being ignored in the hate on Lindsay bus? While many child actors end up addicted and burned out, and Lohan made no friends with her pre-teen diva act, it seems to me that hating on her in the absence of similar critique for the industry that supplied her and every other kid on the block is not only wrong but incredibly short-sighted. Part of the reason the industry gets away with taking talented children and turning them into drug addled teens with one foot in the grave is that our culture engages in collective cognitive dissonance as a society; we know who gives them drugs, how and why, and yet we just keep on staring at the spectacle and blaming the victims. More than that somewhat predictable answer to the Lilo situation, I want to add a queer eye. At least publicly, Lindsay’s drug habit seemed to spiral at the exact moment she was considering her sexual identity. Her first reported major drug bouts came around the same time that the photos of her engaging in knife play with another actress surfaced. Both women denied the lesbian content of the images and the media was happy to spotlight the “freakery” and call it attention getting. Shortly after those images emerged however, Lilo was moving forward with Samantha Ronsen. And while she seemed to be occasionally better while with her, Lindsay’s addiction continued to flare up. Those moments when she seemed to cross the line from spoiled party-girl to addict seemed to always coincide with public humiliation surrounding her sexuality or with dwindling film options that everyone assumes are related to the drugs, and are to some extent. But no one considered how quickly the doors shut on her options while similar young women in Hollywood with far less talent and just as public drug use continued to find work; those girls were all straight. Young queer people self-medicate every day in this world especially in response to imagined and real rejection. They fall down the looking glass never to resurface. So I ask you, is it so much to think that maybe a young woman just discovering her sexuality, who still does not even use the word “lesbian” to describe herself, who has her sexuality discussed in public across the world as if her feelings mean nothing or worse are humorous or a publicity stunts, and who already works in an industry in which drugs come easy and fast to people in her position, is in fact partially medicating her way through a major identity change? And even if she wasn’t, knowing what we know about the coming out process in the U.S. do you think someone who is already using drugs wouldn’t consider turning to them for comfort when the whole world is taking opinion polls about her sexuality and mocking her sometimes heart wrenching break ups with comments like “even women don’t want you fire c—-h” and “ha ha, guess that lesbian thing really wasn’t the way to boost your career”? So I am not saying there isn’t a complex picture here in which Lindsay must take some responsibility, including for her own actions, but instead pointing out that there are both recognizable circumstances devoid of sexuality and very clearly documented issues with regards to them that everyone seems to want to ignore so that we can all point and laugh of the fallen child star. I for one think she deserves more than that.

disney/2010

  • Despicable Me – the first hour is a snoozefest facilitated by the major jokes having all been included in the trailer. The last 1/2 an hour however is endearing and entertaining. Despite being billed as a supervillian movie, it is really a modern Orphan Annie in which the main character falls in love with three Orphan girls while trying to steal the moon. In finding his inner-parent with them, he also resolves his issues with his own judgmental mother and makes peace with the ways she tore down his dreams of going to the moon that led to his criminality, and plot to steal the moon, in the first place. There are 5 main women and girls in this movie, all of  whom are white. Some of them are stereotypical, like the overweight Southern Belle-turned-B–ch who runs the orphanage and the overbearing, uncaring, mother. The girls, on the other hand, represented a range of female identities none of which are disparaged despite the fact that one or two of them are extremely different. One girl wears glasses but there are no other disabilities present in the film. There are also minor female roles in which the women are also stereotypes, including the overbearing and over-indulgent N. American tourist mother and the overweight black mom. Minor male characters with lines are more varied: there is an overweight, clueless, N. American father, and over-indulged obnoxious N. American tourist son, and the annoying-but-meant-to-be-slightly-creepy, scientist, who is not emasculated but instead used as the source of jokes about age and aging; there is also a black male tourist with no lines and two Egyptian guards who are so dumb they don’t know the pyramid has been stolen, there roles as really minor. The major action takes place between the male supervillians and the bank, also run by a man, and most of the comedy involves yellow aliens who speak a mixture of Spanish and gobbledy-gook, which of course is insulting.

showtime/2010

  • The Real L Word – I know I said it was like bad dyke drama that you cannot turn away from in my original post, but seriously now it’s just bad. Since that first episode, I have not been able to sit through an entire episode of the show and I stopped watching all together when Rose, one of two Latinas and the only one who is light but not white appearing, through a party at the home she shares with her girlfriend and then spent the entire night demeaning her and acting like a loud mouth. When her girlfriend Natalie tries to confront her sexist and belittling behavior, Rose simple tells her to move out if she doesn’t like it and seems completely unfazed when Naatalie says she might and started to cry. In fact, Rose went downstairs and continued her boorish behavior with her guests. It was the kind of moment that makes you question whether a reality show should be a “true” reflection of the diversity of the lesbian experience, which includes boorish, self-absorbed, women who really don’t care about anyone but themselves or if it should make an effort to show lesbians in as positive a light, without losing sight of reality, as possible because it is only one of two reality shows to be centered completely on us. And these questions are colored, pun intended, by the fact that the only person acting this way is the only visible woman of color on the show; though, admittedly, she is not the only one who plays with women’s emotions and puts her needs first. I fall somewhere in the middle on the issue, in that I believe that a diversity of experiences need to be shown but that when you are among the first to represent a community to a wide audience you need to engage in point and counterpoint, ie that there needs to be a balance of identities and that race needs to be a factor in making the decisions about who you cast. In this case, if you have a loud mouth sexist Latina lesbian than you need to have a loving non-sexist Latina lesbian alternative precisely because the former plays into the stereotype of sexist hotheaded brown folk. Technically the L Word has provided this alternative in soft-spoken Tracy, the problem is Tracy is a white Latina (white appearing in the language of the U.S., blanca, ie white, in the language of Latin America) and therefore is not a visible counterpoint to Rose at all. And while we are talking race, there continues to be the ongoing issue of an utter absence of people of color in the “Real” L Word’s version of LA. If we removed Rose and Tracy LA could pass for a really sunny Sweden; when you film somewhere as diverse as LA, you should be able to get some people of color in the background shots just because they are there. This lack of reality has been a bone of contention amongst culturally conscious lesbians since the fictional L Word but there is also the issue of unreality in general in reality shows and what it means for the stories we see rather than the ones that were told/filmed. For more insight into that from a couple on the show we participated in order to help people struggling with self-acceptance or figure out how to fit into a sexual identity that has become synonymous with a lifestyle they may not lead see here. The women of Velvet Park also discussed in detail the way the show seems to want to exploit every negative thing about every member of the cast and turn this show into a sort of “Real Housewives of Lesbian County” which seems inappropriate in general and especially in the context of groundbreaking television. And so, I have to remove my endorsement of the show as something painful and yet compelling to watch. I’m not watching and from what I can tell neither is anyone else who is media savvy.

Mel Gibson Spectrum Disorder

Having recently returned from a mental health seminar abroad, I feel particularly well-prepared to tackle Mel Gibson’s outbursts over the years. In fact, with the help of several colleagues currently practicing in multi-culti or LBT centered facilities around the world, I already have.

You see, a famous therapist presented an in depth study on “the importance of diversity” in health practices at the seminar/conference. Despite his obvious commitment to trying to welcome diverse clients into mainstream services, it became obvious that he had started from the all-too-familiar supposition that emotional reactions to oppression were pathological. In other words, if you are angry because you live in gentrification grand central, or you are acting out in class because you are experiencing all kinds of bullying around your first attempts at gender transgression, it is because you have “maladaptive coping skills” (ie your anger is “inappropriate”). And if you get mad at your therapist, stop treatment, or otherwise try to seek real help by indicating the problem to someone else … oh yes, my friend, you are not only exercising maladaptive coping skills, including triangulation (when you try to get a third party to uphold your “crazy, crazy, fantasy land”)  but you are CRAZY with a capital CRAZ and YYYYYY. (image to left http://www.snoopy.com)

What exactly does this have to do with Mel Gibson, you ask?

You can imagine that several of us were unhappy that once again the “doing diversity” plan was to talk “inclusion” at the same time equality was completely ignored in favor of pathologizing people’s response to a lack of it. So when it came time to do break out sessions, my colleagues and I leapt at the chance to answer the break out session question:

Identify a behavior or disorder that you believe is directly related to diversity issues, locate it on a spectrum,  and explain how you would engage in inclusive therapeutic techniques to ensure that everyone was served.

(note: the new big thing in mental health is to cut down the number of disorders that stand alone and incorporate them into a larger spectrum in order to give people wiggle room with diagnosis and needs.

Also note that this project was an attempt to confront the way the medical model pathologizes difference and reframe it in a way that actually addresses real pathology in our society.)

Our answer “ripped from the headlines”:

unattributed

The Disorder – Colonial Fantasy Syndrome

A disorder in which a member of the dominant culture believes that their experience is normative and any other experience is therefore deviant or abnormal despite evidence to the contrary.

Indicators

Sufferers must meet 5 or more of the following criteria

  1. delusions of grandeur
  2. preference for a world in which the fantasy of their dominance supersedes the realities of diversity in the real world
  3. an overwhelming sense of persecution or victimization
  4. frequent projection (ie accusing others of the acts in which the client is actually engaging)
  5. manipulation of interpersonal relationships for one’s own gain while claiming otherwise
  6. egocentricism often masked as selflessness or self-interested demonstrations of selflessness
  7. characterized by sublimation in which one’s sense of superiority is masked by seemingly altruistic acts toward the targeted group(s)
  8. subset of sublimation defined by hypocrisy in which the sense of superiority is masked by calling out others for same or similar behavior, espec if members of targeted group(s)
  9. desire to belong to a group, see one’s self as, or otherwise engage in elitest or exclusionary practices
  10. engages in emotionally or physically threatening behavior with those who challenge the client’s world view
  11. tendency to blame addiction for incongruencies in one’s worldview or self-image (may or may not be accompanied by actual drug & alcohol dependence or abuse)
  12. willful disregard for the truth when confronted

Spectrum – The Mel Gibson Spectrum Disorder

AP Photo/Ric Francis

This spectrum includes all 9 indicators within its definition and may express itself through racism, sexism, homophobia, transphobia, or any combination therein. It is characterized by hypermasculinity distinguishing it from other similar illnesses. This spectrum is also distinguished from other illnesses by the presence of membership in the dominant racial group and most often, the dominant gender. While some believe absence of membership in heterosexuality exempts one from being located in this spectrum, this is unfortunately not the case.

While it is often characterized by alcohol dependence it may also include people who call any of the other 9 indicators addiction in and of themselves.This behavior is seldom a recognition of the problem but rather an avoidance technique designed to evade or minimize responsibility for one’s actions.

Examples:

  1. Michael Richards
  2. John Mayer
  3. Don Imus
  4. Prince Harry
  5. Dan Savage (who was the first blogger to blame black people for prop 8 & refused to intervene when commenters on his blog engaged in blatant racism, including epithets, when discussing the issue)
  6. Moderators at Boxed Turtle – who allowed anti-immigrant threats to dominate a discussion of a homophobic hotel owner (including against all immigrants not just the hotel owner) until I called them out, then allowed people to attack me and threaten my own status in this country, defended their lack of moderation, and then months later quietly deleted all reference to calling INS on all immigrants, me, and all brown ppl everywhere as well as other threats related to skin color or status from the thread.

Treatment Issues

People in this spectrum are often accompanied by enablers who make treatment of the problem nearly impossible. These enablers include people with more mild forms of the same syndrome (like wordpress itself, whose highlight page consistently includes racialized posts about black people and now Asians rather than highlighting posts written by & abt poc or by white ppl who are actually engaged in decolonized praxis rather than hipster colonial fantasy), other related syndromes or disorders like Goldberg Disorder I or II, etc.

Treatment can also be impeded by the ubiquitousness of the disorder across class lines. For instance more widely recognized cases may be defended by the media, perpetuated by it, or erased through it (which directly contradicted Savage’s part in and continued defense of blaming black people for the loss of gay rights).

Treatment

unattributed/redwinebuzz.com

Cognitive Behavioral modification that engages the client in understanding their faulty thinking about themselves, the world, and others and provides alternative modes of interacting with targeted group(s) that do not reflect maladaptive behavior. Ongoing intervention in childhood messages that allowed clients to internalize feelings of superiority, actions of violence to reinforce that superiority, and a sense of victimization by anyone who did not confirm their belief systems so as to remap cognitive processes away from cognitive splitting (when a person believes one thing even when seeing another. Example: they are being arrested because the police officer is female and Jewish not because they are driving drunk).

Ultimately, treatment depends on environmental (revolution), intrapersonal (addressing the whack-a-mole mind), interpersonal (friends don’t let friends drive, write, call, etc. while oppressive), and familial (so you say your dead was a Holocaust denier) aspects. Thus treatment is holistic and active at its base.

Being diagnosed with Mel Gibson Spectrum Disorder should in no way be seen as an addiction. Both the Spectrum and its distinct disorders are a choice not an illness beyond one’s control. People can completely heal from Mel Gibson Spectrum Disorder and their healing will ultimately help heal the world. As such, we must not fall into a pattern of excusing or minimizing the behaviors of MGSD but engage it head on rather. In so doing, we understand that MGSD is the pathology not the people who are often the target of people with MGSD.

Conclusion

Weave Mirror/ D. Rozin

In concluding our diagnosis, we pointed to the many ways that Western Society pathologizes victims of people with Mel Gibson Spectrum Disorder while giving people who continue to embrace the disorder and refuse to change a free pass. John Mayer is a perfect example of this phenomena. While he was under intense scrutiny for several days, he was back to tweeting, blogging, and major ticket sales before the end of the week of his racism incident. He is already being featured in a morning show concert series. Don Imus is back on the air and Rush Limbaugh was never taken off it. And I don’t doubt that my willingness to include Dan Savage in this list will raise the ire of some of my longstanding queer readers.

———————————-

So was this post really about Mel Gibson? It would have been easy to link to his “crazy” via TMZ or youtube and laugh and laugh and laugh some more with you all. However, ultimately, it is easy to point at the latest spectacle of oppression. But unlike a train wreck or an accident on the freeway, you can’t just slow down, stare, and then move on because when you do, you are in fact ensuring that the number of people with Mel Gibson Spectrum Disorder grows.

For those unfamiliar with the way MH diagnosis work, you may want to look up the list of symptoms we listed here. The reality is that each and everyone of them is actually included in one or more major personality disorder diagnostic criteria. Yet, that criteria is utterly devoid of oppression work. In other words, you are narcissist if you are self-absorbed, a sociopath if you engage in violence without remorse, oppositional defiant if you attack authority figures; but you are none of these things if you beat your wife, girlfriend, or partner, threaten to lynch, beat up, or kill a person of color, trans, or gay person, or try to get your black, queer, or differently-abled doctor, professor, or grocery store clerk fired. When you are deemed crazy in our society, you are expected to seek out treatment and work your treatment plan. Often when you are personality disordered, you are also highly stimatized as dangerous, violent, and in need of supervision. When you are racist, sexist, homophobic, etc. you can simply excuse away your behavior with “I’m sorry you interpreted my behavior that way”,  giving to charity or playing on stage with a differently-abled or young child, or a trotting your gay-black-trans friend, ex-wife, or tweens who pee their pants when you come around. No one watches out for or over you or is warned about you being dangerous. And while the medical model often pathologizes and polices people who do not deserve it (including people with personality disorders who have not been violent or whose violence is contingent on not getting treatment which is exacerbated by the way they are pathologized during treatment) the fact is that in the case of oppressors such labels and warnings would actual shift the medical model toward those people who are in fact violent (emotionally, physically, sexually), unrepentant, and therefore likely to be repeat offenders.

Give Us Free

This Juneteenth, I find myself wondering just how free we really are. There is a black man in the White House and a black woman still dominates afternoon tv, even if her ratings are slipping and have been since she supported said black man. Black people can apply for jobs, business and home loans, buy, sell, eat, drink, in public and alongside white patrons. Unlike our brown brothers, we can even live in Arizona, as long as we are a deeper shade of berry that is, tho I don’t know why we would. In the eyes of many, the legacy of slavery and the existence of racism are things of the past.

unattributed

But let’s break down the difference between then and what many scholars and activists have come to refer to as The New Jim Crow:

  • We have a black president but for the first time since the troubled days of reconstruction, or those of 1963, 1965, and 1968, both nationally syndicated radio and talk show hosts are calling for a “million gun march” on Washington and supporting a movement that contains openly racist elements
  • Despite the loss of basic civil and human rights under the Bush Administration we only see the rise in law enforcement willing to “defend the rights of states and citizens” after Obama’s inauguration and specifically implying that he will at some point try to “enslave” people, “create concentration camps”, and/or rise up against the “people of the U.S.” based on neither history nor voting record nor any other indication except his blackness (see Oath Keepers manifesto – and no I am not linking there)
  • The intentional, and illegal, targeting of black people and other poc for predatory lending , particularly women of color, helped cause the economic crisis and left entire black communities without homes or good credit and the only response has been two administrations handing over stimulus checks to the perpetrators
  • Despite exposure of predatory racialized and engendered lending, the bid to profit off of poor black women and other woc (as well as poor white people to a lesser extent) continues in the form of tax loopholes and property law manipulation (You should note that even though the documentary Flag Wars shows a white lesbian real estate agent intentionally targeting and intimidating black home owners, including at least one homophobe, and then reveling in one hold outs death as she picks over her things for resale, that same agent was later featured on an episode of House Hunters, for which she was hired and paid by both the show and the home buyers, living in a mansion in FL)
  • Unemployment for African Americans is at a 25 year high while no programs are specifically earmarked to help them
  • White supremacist and other hate groups are on the rise with a 54% increase in membership since 2000
  • Liberal blogs, established “zines”,  journals, news shows, publishers, departments, etc. continue to exclude or tokenize (defined here as having 1-2 people but no more despite multiple opportunities) intellectuals of color giving the sense that we are still only important when discussing race and that only a handful of us have the intellectual chops to do so
  • Despite evidence to the contrary, liberal circles are just as likely to blame African Americans and other poc and resort to racism for losses in rights we share but are perceived of as their own as conservatives
  • Gentrification that displaces African American and other poc communities is still largely spoken about by liberals as “bettering the community” “saving neighborhoods” “creating community” or “fostering multicultural communities” and applauded without a single thought to the economic, social, and psychic damage done to displaced black folks
  • More black trans women are being killed now than in the past and less is being done about it even as gains in protections for trans communities are being won largely on the basis of murders of trans women of color
  • police brutality against black women and girls continues to be documented on video and yet excused away by review boards
  • and if listservs. livejournal, and blogs are any indication, the number of white people who believe that “racism” is a “slur” levied by black people to make “innocent” white people feel bad about themselves and not an actual indication that discrimination has occurred is any indication, the number of white people who feel immune to being called out for discrimination and absolved of ever being discriminatory is also on the rise
  • That liberals, conservatives, and hipsters think racism is something they can joke about as if it is both a thing of the past and theirs to laugh at

So this juneteenth, I find myself not in the mood to celebrate the last black folks to be told they were in fact free and subsequently let out of bondage but rather musing on how long the white people in that Texas town kept black people enslaved despite 2.5 years of laws to the contrary because they could and neither their neighbors nor the nation was interested in making sure equality was upheld.

While I am grateful that black people in the U.S. are no longer enslaved (not counting black and ther poc “servants” trafficked here from other countries to clean elite people’s homes or serve as sex slaves), I am saddened by the fact that we are still not equal in this nation and that the spectre of segregation looms at every turn.

4 Things You Can Do to Restore Civil Rights in AZ

By now, we have all heard about SB 1070, the latest maneuver by State Government and/or Legislature in Arizona to target Latin@s living in the state. This past year alone, such efforts have included the second attempt to remove key Chican@ history from high schools in a law that would have made it possible to do away with all multicultural, women’s, and/or gender and sexuality history from schools, employment review of some high profile Chican@ advocates working for the state and/or intimidation of state employees questioning discriminatory policing and other government practices,  and the ongoing efforts of Sheriff Joe Arpaio to criminalize Latin@s at the expense of other, needed, community policing. Immigrant rights advocates and civil rights advocates banned together to draw attention to the impact of Sheriff Joe on both race and gender relations in Arizona, citing the absence of follow through on rape cases in order to patrol the border, the increase in petty crime and theft with a weapon, in his district without much response or with response times that have grown every year, making it impossible to catch criminals, and the use of chain gangs and tent prisons in 100+ degree weather, and the rise in racial profiling that was literally targeting all Chican@s in the area and occasionally resulting in young children, N. American citizens, being left on the side of the road, when their parents were carted away and permanently traumatized regardless of whether they had other care providers available. These actions, have already led to Arizona becoming a place where predators who target children, women, and isolated businesses and families thrive because they know that little, if any, energy is being put into investigating their crimes. According to some advocates, rape evidence has been allowed to degrade while Sheriff Joe and his deputies do random searches of families out for a drive. The racial divides in AZ have gotten so bad, that local radio stations actively encourage racist sexism and sexualized violence against Latin@ advocates like Isabel Garcia without much apology and whole communities have been repeatedly pamphleted by supremacist organizations.

Yesterday, despite widespread criticism from both local and national communities, including the President of the United States, Arizona Governor Jan Brewer signed SB 2010 into law. The bill gives AZ police the right to stop anyone suspected of being undocumented with Arizona borders. The law erodes recent Federal attempts to reign in Sheriff Joe’s racial profiling and seemingly discriminatory policing practices and streamline border patrol efforts. These attempts were not, as some have argued, an attempt to ignore or give a free pass to undocumented people, but rather to draw a permanent line between immigration reform and white supremacy in which the latter was no longer welcome. Finally, the law increases militarization at the border, both in terms of increases in advanced technology at the border and the number of armed border patrol officers and “aids” stationed there, including members of the national guard when/if necessary.

The impact of signing the law far outreaches the legal expansion of discrimination in the state. By signing the bill under scrutiny from the President, Governor Brewer joins a growing trend of conservative Governors and Mayors who have publicly questioned the fundamental powers of the Union in which we live and declared the autonomy of their states in the face of Federal guidelines they have cast as racially insensitive, unequal, or dangerous to white people. These efforts include, casting the health care bill as anti-white or biased toward black people, in an era in which white people are losing their homes and their jobs at an equal or greater rate than people of color over lack off access to medical care or ability to pay rising insurance costs, claims that the President’s support of education and educational reform are about indoctrinating children against “family values”, and now the insistence that border & immigration reform that would have radically reduced the role Sheriff Joe played in AZ were akin to allowing a sea of undocumented (and shiftlessly criminal) people of color into the state. As with all of these examples, SB 2010s symbolic impact is a racial line in the sand that calls for the state sanctioned harassment of people on the basis of their skin color while at the same time, joining a chorus of people questioning the legitimacy of a black president and subsequently re/claiming the nation, citizenry, and governance, as whites only space.

The impact of this law is thus both legally and symbolically important to all of us. So far reports of similar policing in AZ have included issues such as:

  1. costing tax payers in Maricopa County $42 million in settlements for police brutality, unlawful search and seizure, and racial profiling
  2. leaving children on the side of the road to fend for themselves when parents are arrested
  3. decreased school performance and sense of safety for children
  4. the failure to investigate rape reports in a timely manner or, in some cases, at all to police Latin@s
  5. the incarceration of nursing mothers with no access to their children
  6. the breaking of a Chican@s’ arm while in custody for refusing to sign paperwork saying she would return to Mexico
  7. sexual assault of undocumented women by people either associated with or claiming to be associated with Border Patrol or border policing
  8. forcing Latin@ truck drivers to produce birth certificates to move products across the state (think 16 wheelers bringing your produce, the new furniture or fridge your going to buy at the big box store, etc.)
  9. the increase in armed theft
  10. the increase in petty criminality in isolated communities
  11. lack of safety for women, children, and families who are Latin@, interracial, indigenous, or other wise brown appearing
  12. increased open and publicly applauded connections to supremacy
  13. increased public connection between policing and racial profiling that makes everyone who “looks” brown unsafe
  14. the militarization and granting of state policing powers to largely untrained civilians who do not have to pass similar inspection or comply with state laws governing police conduct
  15. the harassment of journalists and attempted policing of news readers

The National Network for Immigrant and Refugee Rights has released a 4 point effort that anyone concerned about these issues can do to help restore civil rights in Arizona:

TAKE FOUR ACTIONS

NNIRR urges you take four actions NOW to take a stand for justice and human rights.

  1. Raise your voices for fairness and equality at the border. – Call Gov. Brewer’s office and tell her SB 1070 is a disaster for the rights of all our communities. SB 1070 will intensify racial discrimination, criminalization of immigrants – or anyone who does not pass as white or a U.S. citizen. CALL (602) 542-4331 | You can also email Gov. Brewer at: azgov@az.gov
  2. Organize a house-meeting, a vigil and other actions to express support for immigrant rights in Arizona and in your community. Also ask your family members, co-workers, neighbors and friends to talk about what is happening in Arizona. Ask them to make calls and send emails to Gov. Brewer with this message: We are all Arizona. Your law cannot break our spirit of community; your law will not stand. Racial profiling and racial discrimination are illegal and SB 1070 will be stopped.
  3. Build the movement for justice & human rights – tell President Obama to roll back the hate and end all immigration police-collaboration initiatives. Call President Obama to  ask him to speak out against the climate of hate and SB 1070. SB 1070 depends on federal immigration policing programs. Ask President Obama to roll-back the federal immigration enforcement programs that allow local police agencies to collaborate in immigration control. The 287(g) and Secure Communities programs are encouraging the kind of hateful activity we are witnessing in Arizona. CALL the White House at (202) 456-1111.
  4. Give direct support and express your solidarity to communities organizing on the ground in Arizona.

Students around the N. American Southwest, organized walkouts, marches, and protests in solidarity with Arizona. In Arizona, high school and college students also took to the streets in peaceful protests and marches in the hopes of being heard. In many communities, the first of May, ie May Day, will also be an opportunity to stand up for immigrants’ rights, immigration reform without racism, and to participate in the annual call to draw attention to and remove Sheriff Joe. Please be looking out for these efforts in your area as well as considering doing one or more of the four steps above. While you may not live in AZ, we are all ultimately impacted by the turn toward, public, state sanctioned racism, in N America. And the stats about rape cases, petty and weapon related theft, should make both women’s advocates and people in general concerned about their own safety even if they think they are unimpacted by the rise in hate crimes and racial profiling.

A Testament to Evil

A verdict has come in, in the August murder of Roberto González Onrubia in Spain. In 2006 Onrubia reached out to two homeless cis women, Dolores de los Reyes Navarro and Ainhoa Nogales Bergantiños, in the hopes of providing them an opportunity to get back on their feet. While the potential “guilty liberal” politics of such a decision are questionable, they did not justify the violence and humiliation Reyes Navarro and Bergantiños heaped upon him for the misguided attempt to help them out. Within a few months of moving in, they took over his home and kept him prisoner in his bedroom while they sold his mother’s jewelry and his inherited stamp collection. His attempts to free himself where met with both physical violence and transphobic and cissupremacist sexual threats. On more than one occasion Reyes Navarro and Bergantiños forced Onrubia to wear women’s clothing and threatened to prostitute him for additional cash. They did it both to humiliate him as a trans man and to intimidate him sexually, relying on both transphobia and sexism in the sex industry to menace Onrubia as much as their own behavior. They also forced him to give up much of the outward markers that allowed him to live in his chosen gender while again filming the abuse.

When the two women had sold all of the furniture and possessions in Onrubia’s home, they beat him to death.

Onrubia’s was found, disfigured by physical abuse, dead in his own excrement and urine. It was clear he had been forced to spend an unknown amount of months living and sleeping on the same mattress where he was forced to go to the bathroom rather than be allowed to use the facilities in the home. He was also extremely malnurished at the time of his death; Reyes Navarro and Bergantiños took pleasure in denying him food and may have even linked the starvation to their transphobic torture by telling him his dwindling body helped him look “more like a man.”

While the abuse in this story is horrifying, one has to ask why none of his neighbors, co-workers, or friends asked what happened to him. Though he did receive calls during this time, Reyes Navarro and Bergantiños took his cellphone and screened his calls. No one seems to have done more than a preliminary inquiry about where Onrubia was and why he had allowed these two women to sell everything he owned. Was he ignored because he was trans  or did he lack an extensive support network because he had transitioned and was rebuilding his life? Either way, his vulnerability seemed to be clearly linked to cissupremacy that often requires people to start completely over when they transition.

For their crimes, Dolores de los Reyes Navarro and Ainhoa Nogales Bergantiños were fined US$180,000 and sentenced to 18 years each in prison. While it is an impressive conviction given the slap on the wrist most murderers of transgender people receive, can we really put a price on the life of any person, especially one who tried to help others survive?

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This article is based on information from El Pais